Chapters 52
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1 00 - Dedication to Christina G. Rossetti 1:26
A Century of Randalls. A Century of Randalls by Algernon Charles Swinburne. Dedication to Cristina G. Rossetti.
Songs light as these may sound, though deep and strong, the heart spake through them, scarce should hope to please, ears tuned to strains of loftier thoughts than throng, songs light as these. Yet grace may set their sometime doubt at ease, nor need their too rash reverence fear to wrong, the shrine it serves at, and the hope it sees. For childlike loves and laughter's thence prolong, Notes that bid enter, fearless as the breeze, Even to the shrine of holiest-hearted song, Songs light as these.
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2 01 - In Harbour 2:05
In a Harbour. One. Good night and good-bye to the life whose signs denote us, as mourners clothed with regret for the life gone by, to the waters of gloom whence winds of the day-spring float us. Good night. And goodbye. A time is for mourning, a season for grief to sigh. But were we not fools and blind by day to devote us as thralls to the darkness unseen of the sun-dawn's eye? We have drunken of Lethe at length, we have eaten of Lotus. What hurts it us here that sorrows are born and die? We have said to the dream that caressed and the dread that smote us, Good night and good-bye. Two. Outside of the port, ye are moored in, Lying close from the wind and at ease from the tide. What sounds come swelling, What notes fall dying outside?
They will not cease. They will not abide. Voices of presage in darkness crying pass and return and relapse aside. Ye see not, but hear ye not wild wings flying to the future that wakes from the past that died. Is grief still sleeping? Is joy not sighing outside?
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3 02 - The Way of the Wind 1:04
The Way of the Wind. The wind's way in the deep sky's hollow none may measure, as none can say, how the heart in her shows the swallow the wind's way. Hope nor fear can avail to stay, waves that whiten on wrecks that wallow, times and seasons that wane and slay.
Life and love, till the strong nights swallow, thought and hope and the red last ray, swim the waters of years that follow, the winds way.
End of section two. Recording by Rev. Notation.
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4 03 - 'Had I Wist' 1:13
and the dew's bright trust, how the time should come for hearts to sigh in saying, Had I Whist? Surely not the roses, laughing as they kissed, not the lovelier laugh of seas in sunshine swaying, should have lured my soul to look thereon and list. Now the wind is like a soul cast out and praying vainly, prayers that pierce not ears when hearts resist. Now mine own soul sighs, adrift as wind and straying. Had I wished.
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5 04 - Recollections 3:00
Recollections. I. Years upon years, as a course of clouds that thicken, thronging the ways of the wind that shifts and veers, pass. And the flames of remembered fires re-quicken years upon years. Surely the thought in a man's heart hopes or fears, now that forgetfulness needs, must here have stricken anguish, and sweetened the sealed-up springs of tears. Ah, but the strength of regrets that strain and sicken, yearning for love that the veil of death The world's thine dears, slackens not wing for the wings of years that quicken. Years upon years. Two. Years upon years, and the flame of love's high altar trembles and sinks, and the sense of listening ears heeds not the sound that it heard of love's blithe psalter.
Years upon years. Only the sense of a heart that hearkens hears, louder than dreams that assail and doubts that palter, sorrow that slept, and that wakes ere sun-dawn peers. Wakes, that the heart may behold, and yet not falter, faces of children as stars unknown of spheres seen but of love. That endures, though all things alter, years upon years. Three. Years upon years, as a watch by night that passes, pass, and the light of their eyes is fire that sears slowly the hopes of the fruit that life amasses, years upon years. Pale as the glimmer of stars on moorland mirrors, Lighten the shadows reverberate from the glasses, held in their hands as they pass among their peers. Lights that are shadows, as ghosts on graveyard grasses, moving on paths that the moon of memory cheers, show but as mists over cloudy mountain passes, years upon years.
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6 05 - Time and Life 2:06
V. A Century of Randalls by Algernon Charles Swinburne. V. Time and Life.
Time, thy name is sorrow, says the stricken heart of life, laid waste with wasting flame. Ere the change of things and thoughts re-quicken, time thy name. Girt about with shadow, blind and lame, ghosts of things that smite and thoughts that sicken, hunt and hound thee down to death and shame. Eyes of ours, whose paces halt or quicken, read in blood-red lines of loss and blame. Writs where cloud and darkness round it thicken. Time, thy name.
Two.
Nay, but rest is born of me for healing. So might haply time, with voice repressed, speak. Is grief the last gift of my dealing? Nay, but rest. All the world is wearied. East and West. Tired with toil to watch the slow sun wheeling. Twelve loud hours of life's laborious quest. Eyes force-bent with vigil, faint and reeling. Find at last my comfort, and are blest. Not with rapturous light of life's revealing. Nay, but rest.
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7 06 - A Dialogue 3:10
Canst thou not spare of all our hopes have built one shelter Where our spirits fain would be. Death, if thou wilt.
No dome with suns and dews impearled and gilt, imperial. But some roof of wildwood tree, too mean for scepter's heft or sword-blade's hilt. Some low sweet roof, where love might live, set free from change and fear. And dreams of grief or guilt. Canst thou not leave life, even thus much to see? Death, if thou wilt. 2. Man, what art thou to speak and plead with me? What knowest thou of my workings, where and how, what things I fashion? Nay, behold and see. Man. What art thou? Thy fruits of life, and blossoms of thy bough. What are they but my seedlings? Earth and sea, bear naught but when I breathe on it must bow.
Bow thou, too, down before me. Though thou be great, all the pride shall fade from off thy brow. When time and strong oblivion ask of thee, Man, what art thou? 3. Death, if thou be or be not, as was said, immortal, if thou make us naught, or we survive, thy power is made but of our dread, death, if thou be. Thy might is made out of our fear of thee. Who fears thee not, hath plucked from off thine head the crown of cloud that darkens earth and sea. Earth, sea, and sky, as rain or vapor shed, shall vanish. All the shows of them shall flee. Then shall we know full, surely, quick. Or dead, death, if thou be.
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8 07 - Plus Ultra 1:21
Plus Ultra. Far beyond the sunrise, and the sunset rises, Heaven, with worlds on worlds that lighten and respond. Thought can see not thence, The goal of hope's surmises far beyond.
Night and day have made an everlasting bond, each with each, to hide in yet more deep disguises truth, till souls of men that thirst for truth despond.
All that man in pride of spirit slights all prizes, all the dreams that make him fearful, Fain or fond. Fade at forethought's touch of life's unknown surprises far beyond.
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9 08 - A Dead Friend 4:06
A Dead Friend.
One. Gone, O gentle heart and true, Friend of hopes foregone, Hopes and hopeful days with you, gone. Days of old that shone, Saw what none, Shall see anew when we gazed thereon.
Soul as clear as sunlit dew, why so soon pass on? Forth from all we loved anew, gone. Two. Friend of many a season fled, what may sorrow send toward thee now from lips that said, Friend? Sighs and songs to blend, praise with pain uncomforted, though the praise ascend. Darkness hides no dearer head. Why should darkness end day so soon, O dear and dead friend?
Three. Dear in death, thou hast thy part, yet in life, to cheer hearts that held thy gentle heart, dear. Time and chance may seer, Hope with grief, and death may part, Hand from hand's clasp here. Memory, blind with tears that start, Seize through every tear all that made thee, as thou art, dear. Four. True and tender, single-souled, What should memory do? Weeping o'er the trust we hold, true. Known and loved of few, but of these, though small their fold, loved how well were you. Change that makes of new things old, leaves one old thing new. Love which promised truth, and told true. 5. Kind as heaven, while earth's control, Still had leave to bind thee, thy heart was toward man's whole kind. Thee no shadows blind now, the change of hours that roll leaves thy sleep behind.
Love, that hears thy death-bell toll, yet may call to mind, scarce a soul as thy sweet soul kind.
Six. How should life, O friend, forget death, whose guest art thou? Faith responds to love's regret. How? Still, for us that bow, sorrowing, still, though life be set, shines thy bright mild brow. Yea, though death and thou be met, love may find thee now, still, albeit we know not yet how. 7. Past as music fades, that shone while its life might last, as a song-bird's shadow flown past. Death's reverberate blast now for music's lord has blown, whom thy love held afast. Dead thy king, and void his throne, yet for grief at last love makes music of his own.
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10 09 - Past Days 2:52
Past Days. I.
Dead and gone, the days we had together, shadow-stricken all the light that shone round them, flown as flies, the blown foam's feather, dead. And gone.
Where we went, we twain, in time foregone, forth by land and sea, and cared not whether, if I go again, I go alone. Bound am I with time as with a tether. Thee, perchance, death bleeds enfranchised on, far from death-like life and changeful weather, dead and gone. Two. Above the sea and sea-wash town we dwelt, we twain together. Two brief summers, free from heed of hours, as light as clouds that melt above the sea.
Free from all heed of aught at all were we, save chance of change that clouds or sunbeams dealt, and gleam of heaven to windward Or to Lee. The Norman downs, with bright gray waves for belt, were more for us than inland waves might be. A clearer sense of nearer heaven was felt above the sea. Three cliffs and downs and headlands, which the forward hasting, flight of dawn, and eve in purples and embrowns, Wings of wild sea-winds, and stormy seasons wasting cliffs and downs. These, or ever man was, were, the same sky frowns, laughs, enlightens, as before his soul, forecasting times to be conceived such hopes as time discrowns. These we loved of old. But now for me the blasting breath of death makes dull the bright small seaward towns.
Clothes with human change these all but everlasting cliffs and downs.
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11 10 - Autumn and Winter 3:34
The End of the A Century of Randalls. Three months bade wane and wax the wintering moon, between two dates of death, while men were fain, yet of the living light, that all too soon, Three months bade wane. Cold autumn, wan with wrath of wind and rain, Saw pass a soul sweet as the sovereign tune, That death smote silent when he smote again. First went my friend, in life's mid-light of noon. Who loved the Lord of Music? Then the strain, whence earth was kindled, Like as heaven in June. Three months they'd wane. Two. A herald soul before its masters flying, Touched by some few moons, first the darkling gold, Where shades rose up to greet the shade, Espying, a herald soul. Shades of dead, lords of music, who control, Men living by the might of men undying.
With strength of strains that make delight of dole. The deep, dense dust, on death's dim threshold lying, trembled with sense of kindling sound that stole through darkness, and the night gave ear, descrying a herald soul. Three. One went before, one after, but so fast they seem gone hence together. From the shore whence we now gaze, yet e'er the mightier past, one went before. One whose whole heart of love, being set of yore on that high joy which music lends us, cast light round him forth of music's radiant storm. Then went, while earth on winter glared aghast, the mortal god he worshiped. Through the door, wherethrough so late, his lover to the last, one went before.
Four. A star had set an hour before the sun, sank from the skies, wherethrough his heart's pulse yet, thrills audibly, but futa keyed, or none, a star had set. All heaven rings back. Sonorous with regret, the deep dirge of the sunset. How should one soft star be missed in all the concourse met? But, O sweet single heart, whose work is done, whose songs are silent, how should I forget that, ere the sunset's fiery goal was won, a star had set?
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12 11 - The Death of Richard Wagner 3:21
The Death of Richard Wagner. I. Morning on earth, as when dark hours descend, wide-winged with plagues from heaven, when hope and mirth wane, And no lips rebuke or reprehend, Mourning on earth. The soul wherein her songs of death and birth, Darkness and light, were wont to sound and blend, Now silent leaves the whole world less in worth. Winds that make moan and triumph, Skies that bend, thunders, and sound of tides in gulf, And Firth, spake through his spirit of speech, whose death should send mourning on earth.
II. The world's great heart, whence all things strange and rare, take form and sound, that each in separate part may bear its burden in all tuned thoughts that share the world's great heart. The fountain forces, Whence, like steeds that start, leap forth the powers of earth and fire and air, seas that revolve and rivers that depart, spake, and were turned to song. Yea, all they were, with all their works found in his mastering art, speech as of powers whose uttered word laid bare the world's great heart.
III. From the depths of the sea, from the well-springs of earth, from the wastes of the midmost night, from the fountains of darkness and tempest and thunder, from heights where the soul would be, the spell of the marge of music evoked their sense as an unknown light from the depths of the sea.
As a vision of heaven from the hollows of ocean, that none but a god might see, rose out of the silence of things unknown of a presence, a form, a might. And we heard as a prophet that hears God's message against him, and may not flee.
I might not endure it, but ear and heart with a rapture of dark delight, with a terror and wonder whose call was joy, And a passion of thought set free. Felt inly the rising of doom divine, as a sundown risen to sight from the depths of the sea.
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13 12 - Two Preludes\ 1:46
XII.
TWO PRELUDES. I. LOHANGRIN.
Love, out of the depth of things, as a dewfall felt from above, from the heaven whence only springs, Love. Love, heard from the heights thereof, the clouds and the water springs, draws close as the clouds remove. And the soul in it speaks and sings, a swan sweet soul as a dove, an echo that only rings. Love. 2. Tristan und Sälde. Fate. Out of the deep sea's gloom, when a man's heart's pride grows great, and nought seems now to foredoom fate. Fate, laden with fears in weight, draws close through the clouds that loom, till the soul see all too late. More dark than a dead world's tomb, more high than the sheer dawn's gate. More deep than the wide sea's womb. Fate.
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14 13 - The Lute and the Lyre 1:27
XIII. THE LOOT AND THE LIRE Deep desire, that pierces heart and spirit to the root, Finds reluctant voice in verse that yearns like soaring fire. Takes exultant voice when music holds in high pursuit deep desire. Keen as burns the passion of the rose whose buds respire, strong as grows the yearning of the blossom toward the fruit, sounds the secret half unspoken ere the deep tones tire.
Slow subsides the rapture that possessed loves. The flower-soft lute. Slow the palpitation of the triumph of the lyre. Still the soul feels burn, a flame unslate, though these be mute, deep desire.
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15 14 - Plus Intra 1:19
XIV.
PLUS INTRA.
Soul within sense, immeasurable, obscure, and sepulchred, and deathless, through the dense, deep elements may scarce be felt as pure. Soul within sense.
From depth and height by measurers left immense, through sound and shape and color, comes the unsure, vague utterance, fitful with supreme suspense.
All that may pass, and all that must endure, song speaks not, painting shows not. More intense, And keen than these, art wakes with music's lore, soul within sense.
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16 15 - Change 1:04
From time's full-flowering bough, each bud spake bloom to embolden love's heart and seal his vow. Joy's eyes grew deep with olden dreams, born he wist not how. Thought's meanest garb was golden, but now! RevanNautation.wordpress.com
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17 16 - A Baby's Death 4:49
A little soul, scarce fledged for earth, Takes wing with heaven again for gold, Even while we hailed as fresh from birth, a little soul. Our thoughts ring sad as bells that toll, not knowing beyond this blind world's girth what things are writ in heaven's full scroll.
Our fruitfulness is there but dearth, and all things held in time's control seem there, perchance, ill dreams not worth a little soul. Two. The Little Feet That Never Trod Earth. Never strayed in field or street. What hand leads upward back to God, the little feet? A rose in June's most honeyed heat, when life makes keen the kindling sod, was not so soft and warm and sweet. Their pilgrimages, period, a few swift moons have seen complete, since mother's hands first clasped and shod the little feet.
Three. The little hands that never sought Earth's prizes, worthless all as sands, What gift has Death, God's servant, brought the little hands? We ask, but Love's self-silence stands. Love, that lends eyes and wings to thought, To search where Death's dim Heaven expands. E'er this, perchance, the love know naught, Flowers fill them. Grown in lovelier lands, Where hands of guiding angels caught the little hands. IV. The little eyes that never knew Light other than of dawning skies. What new life now lights up anew, the little eyes? Who knows but on their sleep may rise Such light as never heaven let through To lighten earth from paradise? No storm, we know, may change the blue. Soft heaven that haply death descries, no tears like these in hours bedew the little eyes.
V. Was life so strange, so sad the sky, so straight the wide world's range? He would not stay to wonder why was life so strange. Was Earth's fair house a joyless grange, Beside that house on high, Whence time that bore him failed to estrange? That here at once his soul put by All gifts of time and change, And left us heavier hearts to sigh, Was life so strange? 6. Angel by name love called him, Seeing so fair the sweet small frame, Neat to be called, if ever man's child were, Angel by name. Rose bright and warm from heaven's own heart he came, And might not bear the cloud that covers earth's one face with shame. His little light of life was all too rare and soft a flame. Heaven yearned for him till angels hailed him there, Angel by name.
7. The song that smiled upon his birthday here weeps on the grave that holds him undefiled, whose loss makes bitterer than a soundless tear, the song that smiled. His name crowned once the mightiest ever styled Sovereign of arts and angel. Fate and fear knew then their master, and were reconciled. But we saw born beneath some tenderer sphere, Michael, an angel and a little child, whose loss bows down to weep upon his beer, the song that smiled.
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18 17 - One of Twain 2:05
I.
One of Twain, twin-born with flowers that waken, now hath passed from scents of sun and rain. Wind from off the flower-crowned branch hath shaken. One of twain.
One twin-flower must pass, and one remain. One, the word said soothly, shall be taken, and another left. Can death refrain? Two years since was love's light song mistaken. Blessing then both blossoms, half in vain. Night out-speeding light hath overtaken. One of twain.
Two. Night and light. O thou of heart unwary! Love, what knowest thou here at all or right? Lured, abused, misled as men by a fairy, night and light. Happily, where thine eyes behold but night, Soft as o'er her babe, the smile of Mary, Light breaks flower-wise into new-born sight. What though night of light to thee be cherry, What though stars of hope like flowers take flight, Seest thou all things here, where all see vary, night and light?
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19 18 - Death and Birth 1:14
Death and Birth should dwell not near together. Wealth keeps house not, even for shame, with dearth. Fate doth ill to link in one brief tether Death and birth.
Harsh the yoke that binds them, strange the girth, seams that girds them each with each, yet whether death be best, who knows, all life on earth.
Ill the red rose and the sable feather blend in one crowned plume as grief with mirth. Ill met still are warm and windery weather, death and birth.
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20 19 - Birth and Death 1:14
XIX. Birth and Death Birth and Death, twin sister and twin brother, night and day, On all things that draw breath, rain, While time keeps friends with one another, birth and death. Each brow bound with flowers diverse of wreath, Heaven they hail as Father, Earth as Mother, Faithful found above them and beneath. Smiles may lighten tears, And tears may smother smiles, For all that joy or sorrow saith. Joy nor sorrow knows not from each other, birth and death.
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21 20 - Benediction 1:12
XX. BENEDICTION Blessed in death and life beyond man's guessing, Little children live and die, Possessed, still of grace that keeps them past expressing, blessed. Each least chirp that rings from every nest, each least touch of flower's soft fingers pressing, ought that yearns and trembles to be pressed. Each least glance gives gifts of grace, redressing grief's worst wrongs. Each mother's nurturing breast feeds a flower of bliss beyond all blessing, blessed.
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22 21 - Etude Realiste 2:30
Etude Réaliste.
One. A baby's feet, like sea-shells pink, might tempt, should heaven see meet, an angel's lips to kiss, we think. A baby's feet. Like rose-hued sea-flowers toward the heat, they stretch and spread and wink their ten soft buds that part and meet. No flower-bells that expand and shrink gleam half so heavenly sweet as shine on life's untrodden brink. A baby's feet.
Two. A baby's hands. Like rosebuds furled, whence yet no leaf expands. Ope if you touch, though close, upcurled, a baby's hands. Then, fast as warriors grip their brands, when battle's bolt is hurled, they close, clenched hard like tightening bands. No rosebuds yet by dawn impelled match. Even in loveliest lands, the sweetest flowers in all the world, a baby's hands.
Three. A baby's eyes, ere speech begin, ere lips learn words or sighs, bless all things bright enough to win a baby's eyes.
Love. While the sweet thing laughs and lies, and sleep flows out and in, sees perfect in them paradise. Their glance might cast out pain and sin, their speech make dumb the wise. By mute, glad, Godhead felt within a baby's eyes. Ravennotation.wordpress.com
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23 22 - Babyhood 2:38
XXII.
Babyhood. I.
A baby shines as bright, if winter or if may be, On eyes that keep in sight a baby. Though dark the skies all gray be, It fills our eyes with light, if midnight or midday be. Love hails it, day and night, the sweetest thing that may be, yet cannot praise aright a baby. 2. All heaven, in every baby born, all absolute of earthly leaven, reveals itself, though man may scorn all heaven. Yet man might feel all sin forgiven, all grief appeased, all pain outworn by this one revelation given. Soul, now forget thy burdens borne. Heart, be thy joys now seven times seven. Love shows in light more bright than morn all heaven.
Three. What likeness may define And stray not from truth's exactest way. A baby's beauty, love can say not what likeness may.
The Mayflower loveliest held in May, of all that shine and stay not, laughs not in rosier disarray.
Sleek satin, swans down, buds that play not as yet with winds that play. Would fain be matched with this, and may not, what likeness may. 4. Rose, round whose bed dawns cloudless close, Earth's brightest bread rose. No song, love knows, may praise the head your curtain shows. Ere sleep has fled, the whole child glows, One sweet, live-red rose.
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24 23 - First Footsteps 0:58
XXIII.
FIRST FOOTSTEPS A little way, more soft and sweet, Than fields a flower with may, A babe's feet, venturing, scarce complete a little way. Eyes full of dawning day, Look up for mother's eyes to meet, Too blithe for song to say. Glad as the golden spring to greet, Its first live leaflets play, Love, laughing, leads the little feat a little way.
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25 24 - A Ninth Birthday 2:35
XXIV. A Ninth Birthday. February 4, 1883. I. Three times thrice hath winter's rough white wing crossed and curdled wells and streams with ice. Since his birth, whose praises love would sing three times thrice. Earth nor sea bears flower nor pearl of price. Fit to crown the forehead of my king, honey-meet to please him, balm nor spice. Love can think of naught but love to bring, fit to serve or do him sacrifice. E'er his eyes have looked upon the spring three times thrice.
Two. Three times thrice the world has fallen on slumber, shone and waned and withered in a trice. Frost has fettered Thames and Thyme and Humber, three times thrice. Fogs have swollen too thick for steel to slice. Cloud and mud have soiled with grime and umber, earth and heaven defaced as souls with vice. Winds have risen to wreck, snow's fallen to cumber. Ships and chariots, Trapped like rats or mice, Since my king first smiled, Whose years now number Three times thrice.
Three. Three times thrice, In wine of song full flowing, Pledge, my heart, the child whose eyes suffice, Once beheld, to set thy joy-bells going Three times thrice. Not the lands of palm and date and rice. Glow more bright when summer leaves them glowing. Laugh more light when suns and winds entice. Noon and eve and midnight and cock crowing. Child whose love makes life as paradise. Love should sound your praise with clarions blowing three times thrice.
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26 25 - Not a Child 2:15
XXV.
Not a Child. I. Not a Child, I call myself a boy, says my King, with accent stern yet mild. Now nine years have brought him change of joy. Not a Child. How could reason be so far beguiled, Er so far from sense's safe employ, Stray so wide of truth, or run so wild? Seeing his face bent over book or toy, Child, I called him, smiling, But he smiled back as one too high for vain annoy, Not a child. 2. Not a child? Alack the year! What should ail an undefiled heart, that he would fain appear not a child? Men with years and memories piled, each on other, far and near, fain again would so be styled. Fain would cast off hope and fear, rest, forget, be reconciled. Why would you so fain be, dear, not a child?
III. Child or boy, my darling, which you will, still your praise finds heart and song employ, heart and song both yearning toward you still, child or boy. All joys else might sooner pull or cloy, love than this which inly takes its fill, dear, of sight of your more perfect joy. Nay, be aught you please, let all fulfill all your pleasure. Be your world your toy. Mild or wild, we love you, loud or still, child or boy.
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27 26 - To Dora Dorian 1:00
XXVI.
To Dora Dorian. Child of two strong nations, Heir born of high-souled hope that smiled, Seeing for each brought forth a fair child. By thy gracious brows! And wild, golden-clouded heaven of hair, By thine eyes elate and mild. Hope would fain take heart to swear Men should yet be reconciled, Seeing the sign she bids thee bear, child.
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28 27 - The Roundel 1:20
XXVII. THE ROUNDLE A roundel is wrought as a ring or a star-bright sphere, With craft of delight and with cunning of sound unsought, That the heart of the hearer may smile if to pleasure his ear, A roundel is wrought. Its jewel of music is carven of all or of aught. Love, laughter, or mourning, remembrance of rapture or fear, that fancy may fashion to hang in the ear of thought.
As a bird's quick song runs round, and the hearts in us hear, pause answer to pause, And again the same strain caught. So moves the device whence, round as a pearl or tear, a roundel is wrought.
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29 28 - At Sea 1:10
XXVIII. At Sea Farewell and adieu was the burden prevailing, long since in the chant of a home-faring crew, and the heart in us echoes, with laughing or wailing, Farewell. And adieu.
Each year that we live, shall we sing it anew, with a water untraveled before us for sailing, and a water behind us that wrecks may bestrew. The stars of the past and the beacons are paling, the heavens and the waters are hoarier of hue, but the heart in us chants not an all unavailing, farewell and adieu.
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30 29 - Wasted Love 0:56
Wasted Love What shall be done for sorrow, with love whose race is run? Where help is none to borrow? What shall be done? In vain his hands have spun the web, or drawn the furrow. No rest there toil hath won. His task is all gone thorough, and fruit thereof is none. And who dare say, to-morrow, what shall be done?
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31 30 - Before Sunset 1:07
Before Sunset Love's twilight wanes in heaven above On earth, ere twilight reigns Ere fear may feel the chill thereof Love's twilight wane Ere yet the insatiate heart complains, Too much and scarce enough, The lip so late athirst refrains. Soft on the neck of either dove, Love's hands let slip the reins, And while we look for light of love, Love's twilight wanes.
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32 31 - A Singing Lesson 1:14
A Singing Lesson. Far-fetched and dear-bought, as the proverb rehearses, is good, or was held so for ladies. But naught in a song can be good, if the turn of the verse is far-fetched. And dear bought. As the turn of a wave should it sound, and the thought ring smooth, and as light as the spray that disperses, be the gleam of the words for the garb thereof wrought. Let the soul in it shine through the sound as it pierces men's hearts with possession of music unsought. For the bounties of song are no jealous God's mercies. Far-fetched and dear-bought.
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33 32 - Flower-pieces\ 2:20
Flower Pieces.
Love lies bleeding, and love in the mist.
I. Love lies bleeding. Love lies bleeding in the bed whereover Roses lean with smiling mouths or pleading. Earth lies laughing where the sun's dart clove her. Love lies bleeding. Stately shine his purple plumes, exceeding pride of princes. Nor shall maid or lover find on earth a fairer sign worth heeding. Yet may love, sore wounded scarce recover, strength and spirit again, with life receding. Hope and joy, wind winged, about him hover. Love lies bleeding. 2. Love in a Mist Light love in a mist, by the midsummer moon misguided, scarce seen in the twilight garden if gloom insist. Seems vainly to seek for a star whose gleam has derided light love in a mist. All day in the sun, when the breezes do all they list, his soft blue raiment of cloud-like blossom abided, unrent and unwithered of winds and of rays that kissed.
Blithe-hearted or sad, as the cloud or the sun subsided, Love smiled in the flower with a meaning whereof none wist save two that beheld as a gleam that before them glided light love in a mist.
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34 33 - Three Faces\ 3:11
Three Faces. Ventimiglia, Genoa, and Venice. 1. Ventimiglia.
The sky and sea Glared hard and bright and blank. Down the one steep street, with slow steps firm and free, a tall girl paced, with eyes too proud to thank the sky and sea. One dead flat sapphire, void of wrath or glee, through bay on bay shone blind from bank to bank the weary Mediterranean. Drear to see. More deep, more living, shone her eyes that drank the breathless light, and shed again on me, till pale before their splendor waned and shrank the sky and sea.
Two. Genoa.
Again the same strange might of eyes, That saw in heaven and earth nought fairer, Overcame my sight with rapture of reiterate awe, Again the same. The selfsame pulse of wonder shook like flame The spirit of sense within me. What strange law had bid this be, For blessing or for blame?
To what veiled end that fate? Orchance foresaw, came forth this second sister face, that came absolute, perfect, fair without a flaw, again the same. 3. Venice. Out of the dark, pure twilight, where the stream flows glimmering, Streaked by many a bird-like bark that skims the gloom whence towers and bridges gleam out of the dark. Once more a face no glance might choose but mark shone pale and bright, with eyes whose deep, slow beam made quick the twilight, lifeless else and stark. The same it seemed. All mystery made it seem, as those before beholden, but St. Mark ruled here the ways that showed it like a dream out of the dark.
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35 34 - Eros 2:33
Eros.
I.
Eros, from rest in isles far-famed, with rising anthestrian rose, and all hellenic heights acclaimed, Eros.
The sea one pearl, the shore one rose, all round him all the flower month flamed and lightened, laughing of repose. Earth's heart, sublime and unashamed, knew, even perchance, as man's heart knows, the thirst of all men's nature named Eros.
Two. Eros, a fire of heart untamed, a light of spirit incense that glows, flamed, heavenward still, ere earth defamed Eros. Nor fear nor shame durst curb or close his golden godhead, marred and maimed, fast round with bonds that burnt and froze. Ere evil faith struck blind and lamed love, pure as fire, or flowers, or snows, earth hailed as blameless and unblamed Eros. 3. Eros, with shafts by thousands aimed at laughing lovers round in rows, fades from their sight whose tongues proclaimed Eros. But higher than transient shapes or shows, the light of love in life inflamed springs toward no goal that these disclose. Above those heavens which passion claims shines, veiled by chains that ebbs and flows, the soul in all things born or framed.
Eros.
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36 35 - Sorrow 1:05
SORROW SORROW, on wing through the world for ever, Here and there for a while would borrow rest, If rest might happily deliver sorrow. One thought lies close in her heart, non-thorough with pain. A weed in a dried-up river. A rust-red share in an empty furrow. Hearts that strain at her chain would sever the link where yesterday frets to-morrow. All things pass in the world, but never sorrow.
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37 36 - Sleep 1:07
SLEEP.
SLEEP. When a soul that her own clouds cover Wails that sorrow should always keep watch, Nor see in the gloom above her sleep. DOWN. Through darkness Naked and steep, sinks, and the gifts of His grace recover soon the soul, though her wound be deep.
God, beloved of us, all men's lover, all most weary that smile or weep, feel thee afar, or anear them hover, sleep.
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38 37 - On an Old Roundel 1:59
XXXVII.
On an old randall.
I. Death, from thy rigour a voice appealed, And men still hear what the sweet cry saith, Crying aloud in thine ears fast sealed, Death, as a voice in a vision that vanisheth, through the grave's gate barred, and the portal steeled, the sound of the wail of it traveleth. Wailing aloud from a heart unhealed, it woke response of melodious breath, from lips now too by thy kiss congealed. Death.
Two. Ages ago, from the lips of a sad, glad poet, whose soul was a wild dove lost in the whirling snow, the soft, keen plaint of his pain took voice to show it ages ago. So clear, so deep, the divine drear accents flow. No soul that listens may choose but thrill to know it, pierced and wrung by the passionate Music's throw. For us there murmurs a nearer voice below it, known once of ears that never again shall know, now mute as the mouth which felt death's wave overflow it ages ago.
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39 38 - A Landscape by Courbet 1:20
A Landscape by Corbet.
Low lies the mare beneath the moor side, still and glad of silence. Down the wood sweeps clear, To the utmost verge, where, fed with many a rill, low lies the mere.
The wind speaks only summer. Eye, nor ear, sees aught at all of dark. Hears aught of shrill. From sound or shadow, felt or fancied here.
Strange, as we praise the dead man's might and skill, Strange that harsh thoughts should make such heavy cheer, while, clothed with peace by heaven's most gentle will, low lies the mare.
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40 39 - A Flower-piece by Fantin 1:11
Surely the heart that conceived it sought. Heart's ease. Surely by glad and divine degrees, the heart impelling the hand that wrought, wrought comfort here for a soul's disease.
Deep flowers, with lustre and darkness fraught, from glass that gleams as the chill still sees, lean and lend for a heart distraught. Heart's ease.
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41 40 - A Night-piece by Millet 1:18
for all the wrath of waking. Wind and Sea.
Bright with glad mad rapture, fierce with glee, laughs the moon, borne on past clouds o'ertaking, fast, it seems, as wind or sail can flee.
One blown sail beneath her, hardly making forth, wild-winged for harborage yet to be. Strives and leaps and pants beneath the breaking wind and sea.
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42 41 - Marzo Pazzo 1:08
A Century of Randalls Mad March, with the wind in his wings wide-spread, Leaps from heaven and the deep dawn's arch, Hails re-risen again from the dead Mad March. Soft small flames on Rowan and Larch break forth as laughter on lips that said naught till the pulse in them beat love's march. But the heartbeat now in the lips rose-red speaks life to the world, and the wings that parch bring April forth as a bride to wed mad March.
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43 42 - Dead Love 1:05
Dead Love by treason slain lies stark, white as a dead stark-stricken dove, none that pass by him pause to mark dead love. His heart, That, strained and yearned and strove, As toward the sundawn strives the lark, Is cold as all the old joy thereof.
Dead men, re-risen from dust, May hark when rings the trumpet blown above. It will not raise from out the dark dead love. ravennotation.wordpress.com
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44 43 - Discord 1:10
Discord. Unreconciled by life's fleet years, That fled with changeful clang of pinions wide and wild, Though two great spirits had lived, And hence had sped unreconciled. Though time and change, harsh times imperious child, that wed strange hands together, might not wed high hearts by hope's misprison once beguiled. Faith, by the light from either's memory shed, sees, radiant as their ends were undefiled, one goal for each, not twain among the dead, unreconciled.
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45 44 - Concord 1:11
Concord Reconciled by death's mild hand, That giving peace gives wisdom, Not more strong than mild, Love beholds them, Each without misgiving reconciled. Each on earth alike of earth reviled, hated, feared, derided, and forgiving. Each alike had heaven at heart, and smiled. Both bright names, clothed round with man's thanksgiving, shine, twin stars above the storm-drifts piled, dead and deathless, whom we saw, not living, reconciled.
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46 45 - Mourning 1:06
Mourning Alas, my brother, the cry of the mourners of old, that cried on each other, All crying aloud on the dead, as the death-note rolled, Alas, my brother! As flashes of dawn that mists from an east wind smother with fold upon fold, the past years gleam that linked us one with another. Time sunders hearts as of brethren, whose eyes behold no more their mother. But a cry sounds yet from the shrine, whose fires wax cold. Alas, my brother!
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47 46 - Aperotos Eros 1:16
Aperotus Eros Strong as death, and cruel as the grave, Clothed with cloud, and tempest's blackening breath, Known of death's dread self, whom none Outbrave, strong as death. Love, brow-bound with anguish for a wreath, fierce with pain, a tyrant-hearted slave burns above a world that groans beneath. Hath not pity power on thee to save? Love, hath power no pity? Naughty saith, answering. Blind he walks as wind or wave, strong as death.
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48 47 - To Catullus 1:12
To Catullus. My brother, my Valerius, dearest head, of all whose crowning bay leaves crowned their mother Rome, in the notes first heard of thine I read, My brother. No dust that death or time construe may smother, Love and the sense of kinship inly bred, From loves and hates at one with one another. To thee was Caesar's self, nor dear nor dread, Song and the sea were sweeter each than other. How should I live in fear to call thee dead, my brother?
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49 48 - Insularum Ocelle' 1:16
Sark, fairer than aught in the world that the lit skies cover, laughs inly behind her cliffs, and the seafarers mark as a shrine where the sunlight serves. Though the blown clouds hover, Sark. We mourn for love of a song that outsang the lark, That nought so lovely beholden of Sermio's lover Made glad in propontis the flight of his pontic bath. Here earth lies lordly, triumphal as heaven is above her, And splendid and strange as the sea that upbears as an ark, As a sign For the rapture of storm-spent eyes to discover Sark.
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50 49 - In Sark 1:25
A century of Randalls, a breast and a head of the sea, Is a crag's front cloven asunder, With strong sea breach, And with wasting of winds whence terror is shed, As a shadow of death from the wings of the darkness on waters that thunder, abreast and ahead.
At its edge is a sepulchre, hollowed and hewn for a lone man's bed, propped open with rock and a gape on the sky and the sea thereunder. But roofed and walled in wealth and the wrath of them slept its dead. Here might not a man drink rapture of rest, or delight above wonder, beholding, a soul disembodied, the days and the nights that fled, with splendor and sound of the tempest around and above him and under, abreast and a head.
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51 50 - In Guernsey 7:12
To Theodore Watts. I. The heavenly bay, ringed round with cliffs and moors, Storm-stained ravines and crags that lawns inlay, Soothes as with love The rocks whose guard secures the heavenly bay. O friend, shall time take ever this away, this blessing given of beauty that endures, this glory shown us not to pass but stay. Though sight be changed from memory, love ensures what memory, changed by love to sight, would say, the word that seals for ever mine and yours, the heavenly bay.
Two. My mother's sea, my Faustress, what new strand, what new delight of waters may this be? Fair is found since time's first breezes fan my mother's sea. Once more I give me body and soul to thee, who hast my soul for ever? Cliff and sand recede, and heart to heart once more are we. My heart springs first and plunges, E'er my hand strike out from shore, More close it brings to me, More near and dear than seems my fatherland, My mother sea. 3. Across and along, As the bay's breadth opens, And o'er us, wild autumn exults in the wind, Swift rapture and strong impels us, And broader the wide waves brighten before us, across and along. The whole world's heart is uplifted, and knows not wrong. The whole world's life is a chant to the sea-tide's chorus.
Are we not as waves of the water, as notes of the song? Like children unworn of the passions and toils that wore us, We breast for a season the breadth of the seas that throng, Rejoicing as they, to be born as of old they bore us, across and along.
Four. On Dante's track by some funereal spell, Drawn down through desperate ways that lead, not back, we seem to move, Bound forth past flood and fell on Dante's track. The gray path ends, the gorn's rocks gape, the black, deep, hollow, tortuous night, a soundless shell glares darkness, are the fires of old grown slack. Nay, then, what flames are these that leap and swell, as twere to show, where Earth's foundations crack, the secrets of the sepulchres of Hell? On Dante's track.
V.
By mere men's hand the flame was lit, we know, from heaps of dry-waist wind and casual brands. Yet, knowing, we scarce believe it kindled so by mere men's hands. Above, around, high-vaulted hell expands, steep, dense, A labyrinth walled and roofed with woe, Whose mysteries even itself not understands. The scorn in Faramata's eyes aglow Seems visible in this flame. There Jerion stands. No stage of Earth's is here, Set forth to show by mere men's hands.
Six.
Night. In utmost noon forlorn and strong, with heart athirst and fasting, hunger's here, barred up forever. Whence as one whom dreams affright, day recoils before the low-browed lintel, threatening doom and casting night. All the reefs and islands, all the lawns and highlands, clothed with light, Laugh for love's sakes in their sleep outside, but here the night speaks, blasting day with silent speech and scorn of all things known from depth to height. Lower than dive the thoughts of spirit-stricken fear in souls for casting hell. The deep void seems to yawn beyond fear's reach, and higher than sight rise the walls and roofs. That compass it about with everlasting night. 7. The house accursed, with cursing sealed and signed, Heeds not what storms about it burn and burst.
No fear more fearful than its own may find the house accursed. Barren as crime, and hungered and thirst, Blank miles of moor sweep inland, seer and blind, where summer's best rebukes not winter's worst. The low, bleak tower, with naught save wastes behind, stares down the abyss where on chance reared and nursed this type and likeness of the accursed man's mind, the house accursed.
Eight.
Beloved and blest, lit warm with love and fame, the house that had the light of the earth for guest. Here's for his name's sake, all men hail its name, Beloved and blest. This Eyrie was the homeless eagle's nest. When storm laid waste his Eyrie, hence he came again, when storm smote sore his mother's breast. Bow down. Men bade us all be clothed with blame, and mocked for madness. Worst, they swear, was best. But grief shone here, while joy was one with shame, beloved and blessed.
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52 51 - Envoi 1:14
51. Envoy Fly, white butterflies, out to sea, Frail pale wings for the wings to try, Small white wings that we scarce can see fly. Here and there may a chance caught eye, note in a score of you twain or three, brighter or darker of tinge or dye. Some fly light as a laugh of glee, some fly soft as a low long sigh, all to the haven where each would be fly.
End of section 51. End of A Century of Randalls by Algernon Charles Swinburne.